Residency Program
November 2022 cohort Olga Herrera, Joe Mama-Nitzberg, and Iliana Emilia García in front of Surf Point Foundation. Photo by Heather Henriksen.
Overview
Surf Point’s Residency Program launched in September 2019 with the goal of giving time, space, and support to visual artists and arts professionals. The year-round program offers residents three weeks of live-work space at Surf Point. Designed as a small, self-directed experience, each session brings together a cohort of artists working across disciplines and perspectives.
Surf Point provides the conditions to step outside of urgency and engage more deeply with one’s work, the surrounding landscape, and a small group of peers. Rather than emphasizing production, the program supports reflection, experimentation, and the possibility of meaningful exchange.
Basic Details
We operate year-round with space for up to four residents in separate live/work quarters for 24-day sessions. Each resident receives a stipend and is responsible for funding travel and shipping supplies.
Optional activities may include small gatherings with community members, curator-led museum visits, portrait photography sessions, and guided nature walks. Residents may also be invited to extend their stay through the weekend to participate in a public program, such as an open studio or conversation, with an additional honorarium. Participation is optional and varies by session.
Philosophy
Surf Point de-prioritizes fixed notions of productivity, performance, and urgency in favor of time, attention, and care. Residents are encouraged to shape their own experience, whether that means deep focus, rest, or connection with others.
The program is grounded in the belief that creative work unfolds over time and does not require constant visibility or output. Within a rural setting and without on-site staff, residents are trusted to navigate a largely self-directed experience, with support available as needed. We are committed to fostering a diverse and inclusive community where a range of backgrounds, identities, and practices can coexist and inform one another.
Nomination & Selection Process
Surf Point does not have an open application. Residents are selected through a nomination-based process followed by a lottery. Unsolicited applications and nominations are not accepted, and there is no way to request to be nominated.
Each year, a full cohort of past residents is invited to nominate one individual for a future residency cycle. In some cases, partner organizations and foundations also nominate individuals through sponsorships. Nominators submit a name, contact information, and a brief rationale, and nominees are then invited to complete a short application. No project proposal is required.
All completed applications are entered into a randomized lottery. When needed, the lottery is lightly weighted to ensure that each session reflects a range of practices, backgrounds, and perspectives. Applicants indicate their availability, and placements are made based on lottery results and alignment with session dates. Those not placed remain on an active waitlist for one year in case of cancellations or rescheduling, and may be invited to apply again the following cycle.
This approach allows the program to grow through networks of trust and lived experience. It often reaches artists and arts professionals who may not be connected to major art centers or who may not see themselves reflected in traditional open-call systems. By reducing the administrative demands of large-scale applications, more resources can be directed toward residents and public programs.
Residents are typically visual artists or arts professionals with an established practice of at least five years, based in the United States, and comfortable participating in a rural, self-directed residency with a small cohort.
As of 2025, Surf Point has welcomed 160 alumni from 26 states. Approximately 65% of residents identify as women or nonbinary, and approximately 58% identify as BIPOC. The acceptance rate is approximately 35%.
Surf Point asks nominators to consider individuals across a range of identities, experiences, and career paths, including:
Visual artists, curators, writers, educators, and arts professionals
People who are thoughtful, generous, and comfortable in a self-directed environment
Those who have had limited access to residency opportunities or may not see themselves reflected in traditional application models
Individuals who contribute to their communities in meaningful ways
Women, BIPOC, LGBTQIA+ individuals, people with disabilities, and those connected to Maine and the broader region
Elaine K. Ng ‘19 at work in the Pool Room Studio, December 2019. Photo courtesy Elaine K. Ng.
Program Nominators, 2019-2024
Surf Point’s program is fueled by a robust nomination system that includes past residents and arts professionals from across the U.S. researched by the staff and board. Listed below are the names of the nominators and their affiliations at the time of their nomination. Nominators are invited to nominate one time.
Tracy L. Adler
Johnson-Pote Director, Ruth and Elmer Wellin Museum of Art, Hamilton College
Alejandro Anreus
PhD Professor of Art History/Latin American/Latinx Studies; William Paterson University (retired); President Emeritus, Joan Mitchell Foundation (2014-2018)
Rachael Arauz
Independent Curator
Stephanie Atkins
Director of the Local Program, National Performance Network
Yona Backer
Founder, Third Streaming
Horace Ballard
Curator of American Art, Williams College Museum of Art
Stephen Benenson
Artist, Maine
Jordia Benjamin
Deputy Director, Indigo Arts Alliance
Mark Bessire
Director, Portland Museum of Art
Katherine Bradford
Artist, Maine and New York
Isolde Brielmaier
PhD Deputy Director, New Museum
Natasha Bunten
Director, Culture Workers Education Center
Sarah Calderon
Managing Director, Artplace America
Emma Chubb
Charlotte Feng Ford '83 Curator of Contemporary Art, Smith College Museum of Art
Janie Cohen
Director, Flemming Museum of Art, University of Vermont
Gianna Commito
Artist; Professor of Painting, Kent State
Sharon Corwin
President and CEO of the Terra Foundation for American Art
Luis Croquer
Henry and Lois Foster Director and Chief Curator, Rose Art Museum
Jenna Crowder
Artist and Writer; Editor of The Chart
Dina Deitsch
Director and Chief Curator, Tufts University Art Galleries
Ryan Dennis
Curator & Programs Director, Project Row Houses
Daisy Desrosiers
Director and Chief Curator, The Gund Gallery at Kenyon College
Grant Drumheller
Artist, New Hampshire
Kristina Durocher
Director, Museum of Art of the University of New Hampshire
Kristy Edmunds
Center for the Art of Performance UCLA
Rich Entel
Artist, Maine
Ruth Estevez
Director and Chief Curator, Amant
Diane Fraher
American Indian Artists Incorporated
Pamela Franks
Class of 1956 Director, Williams College Museum of Art
Laura Freid
President, Maine College of Art and Design
Lisa Freiman
Professor of Art History, Virginia Commonwealth University (VCU)
Lee Glazer
Director, Lunder Institute for American Art
Lisa Gold
Executive Director, Asian American Arts Alliance
Aimee Good
Director of Education and Community Programs, The Drawing Center
Anne and Frank Goodyear
Directors, Bowdoin College Museum of Art
Diana Greenwold
Lunder Curator of American Art, National Museum of Asian Art, Smithsonian
Esther Grimm
Executive Director, 3Arts
Marcela Guerrero
DeMartini Family Curator, Whitney Museum
Naiomy Guerrero Curatorial Fellow, Perez Art Museum
Danny Gugger
Artist + Designer, NY
Paul Ha Director
ARTS - MIT List Visual Arts Center
Kelsey Halliday
Johnson Director, SPACE
Mary Harding
Director, George Marshall Store Gallery
Margaret Hickey
Professor, Mass Art
Avery Willis Hoffman
Artistic Director, Brown University
Randi Hopkins
Director of Visual Arts, Boston Center for the Arts
Heather Hubbs
Executive Director, New Art Dealers Alliance
April Hunt
Founder and CEO, sparkplugPR
Kemi Ilesanmi
Executive Director, The Laundromat Project
Marisa Mazria Katz
Eyebeam Center for the Future of Journalism
Jon Kessler
Professor, Columbia University
Stuart Kestenbaum
Poet
Katy Kline
Independent Curator
Corina Larkin
Director, CUE Art Foundation
Clara Lieu
Founder, Art Prof
David Little
Director, Mead Art Museum
Michael Mansfield
Director, Ogunquit Museum of American Art
James McAnally
Director, The Luminary
Suzette McAvoy
Center for Maine Contemporary Art
Donna McNeil
Director, Ellis-Beauregard Foundation
Dan Mills
Director, Museum of Art and Lecturer in the Humanities Bates College
Jess Muise
Director, Engine
Sina Najafi
Cabinet Magazine
Kristina Newman-Scott
President, BRIC Arts & Media
Alyssa Nitchun
Executive Director, Leslie-Lohman Museum of Art
Meg Onli
Associate Curator, Institute of Contemporary Art Philadelphia
Larry Ossei-Mensah
Museum of Contemporary Art, Detroit
Tricia Paik
Director, Mount Holyoke College Art Museum
Kymberly Pinder
Deputy Director, MassArt
Laura Raicovich
Writer and Curator
Carolyn Ramo
Executive Director, Artadia
Richard Saunders
Director, Middlebury College Museum of Art
Hilary Schaffner
Independent Curator
Sadia Quraeshi Shepard
Assistant Professor of Film Studies, Wesleyan University
Brian Sholis
Independent writer, editor, curator, and consultant
Stephanie Sparling
Williams Addison Gallery
Molly Surno Davis
Founder, Push Projects
Leila Tamari
Founder + Principal, This Place Works
Jacqueline Terrassa
Carolyn Muzzy Director, Colby College Museum of Art
Grant Wahlquist
Director, Grant Wahlquist Gallery
Abbey Williams
Artist; Director, Art Matters Foundation