Residency Program


November 2022 cohort Olga Herrera, Joe Mama-Nitzberg, and Iliana Emilia García in front of Surf Point Foundation. Photo by Heather Henriksen.

Overview

Surf Point’s Residency Program launched in September 2019 with the goal of giving time, space, and support to visual artists and arts professionals. The year-round program offers residents three weeks of live-work space at Surf Point. Designed as a small, self-directed experience, each session brings together a cohort of artists working across disciplines and perspectives.

Surf Point provides the conditions to step outside of urgency and engage more deeply with one’s work, the surrounding landscape, and a small group of peers. Rather than emphasizing production, the program supports reflection, experimentation, and the possibility of meaningful exchange.

Basic Details

We operate year-round with space for up to four residents in separate live/work quarters for 24-day sessions. Each resident receives a stipend and is responsible for funding travel and shipping supplies.

Optional activities may include small gatherings with community members, curator-led museum visits, portrait photography sessions, and guided nature walks. Residents may also be invited to extend their stay through the weekend to participate in a public program, such as an open studio or conversation, with an additional honorarium. Participation is optional and varies by session.

Philosophy

Surf Point de-prioritizes fixed notions of productivity, performance, and urgency in favor of time, attention, and care. Residents are encouraged to shape their own experience, whether that means deep focus, rest, or connection with others.

The program is grounded in the belief that creative work unfolds over time and does not require constant visibility or output. Within a rural setting and without on-site staff, residents are trusted to navigate a largely self-directed experience, with support available as needed. We are committed to fostering a diverse and inclusive community where a range of backgrounds, identities, and practices can coexist and inform one another.

Nomination & Selection Process

Surf Point does not have an open application. Residents are selected through a nomination-based process followed by a lottery. Unsolicited applications and nominations are not accepted, and there is no way to request to be nominated.

Each year, a full cohort of past residents is invited to nominate one individual for a future residency cycle. In some cases, partner organizations and foundations also nominate individuals through sponsorships. Nominators submit a name, contact information, and a brief rationale, and nominees are then invited to complete a short application. No project proposal is required.

All completed applications are entered into a randomized lottery. When needed, the lottery is lightly weighted to ensure that each session reflects a range of practices, backgrounds, and perspectives. Applicants indicate their availability, and placements are made based on lottery results and alignment with session dates. Those not placed remain on an active waitlist for one year in case of cancellations or rescheduling, and may be invited to apply again the following cycle.

This approach allows the program to grow through networks of trust and lived experience. It often reaches artists and arts professionals who may not be connected to major art centers or who may not see themselves reflected in traditional open-call systems. By reducing the administrative demands of large-scale applications, more resources can be directed toward residents and public programs.

Residents are typically visual artists or arts professionals with an established practice of at least five years, based in the United States, and comfortable participating in a rural, self-directed residency with a small cohort.

As of 2025, Surf Point has welcomed 160 alumni from 26 states. Approximately 65% of residents identify as women or nonbinary, and approximately 58% identify as BIPOC. The acceptance rate is approximately 35%.

Surf Point asks nominators to consider individuals across a range of identities, experiences, and career paths, including:

Visual artists, curators, writers, educators, and arts professionals
People who are thoughtful, generous, and comfortable in a self-directed environment
Those who have had limited access to residency opportunities or may not see themselves reflected in traditional application models
Individuals who contribute to their communities in meaningful ways
Women, BIPOC, LGBTQIA+ individuals, people with disabilities, and those connected to Maine and the broader region

Elaine K. Ng ‘19 at work in the Pool Room Studio, December 2019. Photo courtesy Elaine K. Ng.


Program Nominators, 2019-2024

Surf Point’s program is fueled by a robust nomination system that includes past residents and arts professionals from across the U.S. researched by the staff and board. Listed below are the names of the nominators and their affiliations at the time of their nomination. Nominators are invited to nominate one time.

Tracy L. Adler
Johnson-Pote Director, Ruth and Elmer Wellin Museum of Art, Hamilton College

Alejandro Anreus
PhD Professor of Art History/Latin American/Latinx Studies; William Paterson University (retired); President Emeritus, Joan Mitchell Foundation (2014-2018)

Rachael Arauz
Independent Curator

Stephanie Atkins
Director of the Local Program, National Performance Network

Yona Backer
Founder, Third Streaming

Horace Ballard
Curator of American Art, Williams College Museum of Art

Stephen Benenson
Artist, Maine

Jordia Benjamin
Deputy Director, Indigo Arts Alliance

Mark Bessire
Director, Portland Museum of Art

Katherine Bradford
Artist, Maine and New York

Isolde Brielmaier
PhD Deputy Director, New Museum

Natasha Bunten
Director, Culture Workers Education Center

Sarah Calderon
Managing Director, Artplace America

Emma Chubb
Charlotte Feng Ford '83 Curator of Contemporary Art, Smith College Museum of Art

Janie Cohen
Director, Flemming Museum of Art, University of Vermont

Gianna Commito
Artist; Professor of Painting, Kent State

Sharon Corwin
President and CEO of the Terra Foundation for American Art

Luis Croquer
Henry and Lois Foster Director and Chief Curator, Rose Art Museum

Jenna Crowder
Artist and Writer; Editor of The Chart

Dina Deitsch
Director and Chief Curator, Tufts University Art Galleries

Ryan Dennis
Curator & Programs Director, Project Row Houses

Daisy Desrosiers
Director and Chief Curator, The Gund Gallery at Kenyon College

Grant Drumheller
Artist, New Hampshire

Kristina Durocher
Director, Museum of Art of the University of New Hampshire

Kristy Edmunds
Center for the Art of Performance UCLA

Rich Entel
Artist, Maine

Ruth Estevez
Director and Chief Curator, Amant

Diane Fraher
American Indian Artists Incorporated

Pamela Franks
Class of 1956 Director, Williams College Museum of Art

Laura Freid
President, Maine College of Art and Design

Lisa Freiman
Professor of Art History, Virginia Commonwealth University (VCU)

Lee Glazer
Director, Lunder Institute for American Art

Lisa Gold
Executive Director, Asian American Arts Alliance

Aimee Good
Director of Education and Community Programs, The Drawing Center

Anne and Frank Goodyear
Directors, Bowdoin College Museum of Art

Diana Greenwold
Lunder Curator of American Art, National Museum of Asian Art, Smithsonian

Esther Grimm
Executive Director, 3Arts

Marcela Guerrero
DeMartini Family Curator, Whitney Museum
Naiomy Guerrero Curatorial Fellow, Perez Art Museum

Danny Gugger
Artist + Designer, NY

Paul Ha Director
ARTS - MIT List Visual Arts Center

Kelsey Halliday
Johnson Director, SPACE

Mary Harding
Director, George Marshall Store Gallery

Margaret Hickey
Professor, Mass Art

Avery Willis Hoffman
Artistic Director, Brown University

Randi Hopkins
Director of Visual Arts, Boston Center for the Arts

Heather Hubbs
Executive Director, New Art Dealers Alliance

April Hunt
Founder and CEO, sparkplugPR

Kemi Ilesanmi
Executive Director, The Laundromat Project

Marisa Mazria Katz
Eyebeam Center for the Future of Journalism

Jon Kessler
Professor, Columbia University

Stuart Kestenbaum
Poet

Katy Kline
Independent Curator

Corina Larkin
Director, CUE Art Foundation

Clara Lieu
Founder, Art Prof

David Little
Director, Mead Art Museum

Michael Mansfield
Director, Ogunquit Museum of American Art

James McAnally
Director, The Luminary

Suzette McAvoy
Center for Maine Contemporary Art

Donna McNeil
Director, Ellis-Beauregard Foundation

Dan Mills
Director, Museum of Art and Lecturer in the Humanities Bates College

Jess Muise
Director, Engine

Sina Najafi
Cabinet Magazine

Kristina Newman-Scott
President, BRIC Arts & Media

Alyssa Nitchun
Executive Director, Leslie-Lohman Museum of Art

Meg Onli
Associate Curator, Institute of Contemporary Art Philadelphia

Larry Ossei-Mensah
Museum of Contemporary Art, Detroit

Tricia Paik
Director, Mount Holyoke College Art Museum

Kymberly Pinder
Deputy Director, MassArt

Laura Raicovich
Writer and Curator

Carolyn Ramo
Executive Director, Artadia

Richard Saunders
Director, Middlebury College Museum of Art

Hilary Schaffner
Independent Curator

Sadia Quraeshi Shepard
Assistant Professor of Film Studies, Wesleyan University

Brian Sholis
Independent writer, editor, curator, and consultant

Stephanie Sparling
Williams Addison Gallery

Molly Surno Davis
Founder, Push Projects

Leila Tamari
Founder + Principal, This Place Works

Jacqueline Terrassa
Carolyn Muzzy Director, Colby College Museum of Art

Grant Wahlquist
Director, Grant Wahlquist Gallery

Abbey Williams
Artist; Director, Art Matters Foundation