Matt Marble, April 2026

Matt Marble in the Split Studio. Photo by Kerry Constantino.

Matt Marble (b. Meridian, Mississippi, 1979) is an artist, author, and media producer whose work explores the intersections of art and spiritual imagination through archival research, curatorial storytelling, and creative practice. He is the director of the American Museum of Paramusicology and the author of Buddhist Bubblegum, as well as the creator of the podcasts Secret Sound and The Hidden Present.

His projects examine metaphysical influences in American music history and the creative lives of overlooked or unconventional artists, ultimately underscoring the vital freedom of the imagination—creative, personal, and collective—and a resistance to dogma and oppressive forces. His own art often incorporates idiosyncratic influences from metaphysical philosophy as well as his archival work.

Marble’s work has been presented internationally in exhibitions, publications, recordings, and public programs. He holds a PhD in Music Composition from Princeton University, a B.A. in Speech & Hearing Sciences from Portland State University, and a black rattlesnake from his dreams.

Visit Matt’s website here.

"Unknowable Music" (2023), acrylic painting by Matt Marble

Yatika Starr Fields, April 2026

Yatika Starr Fields in the Hallam Studio. Photo by Kerry Constantino.

Yatika Starr Fields is a multi-disciplinary artist with an emphasis in painting, based in Tulsa, Oklahoma. A member of the Osage, Cherokee, and Muscogee Nations, Fields grounds his work in Indigenous identity while pushing the boundaries of contemporary Native art. His dynamic, color-saturated compositions often blend figurative elements with cultural and historical motifs, inviting viewers to explore layered narratives and find personal connections. Through this interplay, Fields creates a space for dialogue, one that bridges individual experience with shared memory and collective history.

Fields practice has taken him around the world, collaborating with institutions and museums to expand perspectives on Indigenous art in contemporary contexts. After graduating from high school in Stillwater, Oklahoma, he attended the Art Institute of Boston and spent a decade living and working in New York City. From 2017 to 2023, Fields was a Tulsa Artist Fellow, a residency that allowed him to deepen his studio practice and explore new materials and methodologies.

His work responds to the political and cultural terrains of today, while remaining rooted in the vitality, beauty, and resilience of Indigenous worldviews. With a distinctive visual language that honors movement, complexity, and cultural continuity, Fields challenges assumptions about Native art and amplifies the narratives of contemporary Indigenous life through a vibrant and evolving lens.

View Yatika’s work here.

Jory Drew, April 2026

Jory Drew in the Pool Room Studio. Photo by Kerry Constantino.

Jory Drew is an artist and educator whose multidisciplinary practice explores how identity, memory, and social histories shape the possibilities of intimacy, kinship, and care within Black and queer life. Working across sculpture, installation, video, and performance, Drew examines the residues of systemic inequality while imagining alternative networks of support and survival. His work often reuses everyday materials — housing debris, domestic artifacts, and archival fragments — to reconstruct personal and collective narratives that challenge cultural erasure. Through these gestures, Drew turns vulnerability into a space of resistance, envisioning worlds in which Black life is centered, legible, and loved. Drew (b. 1992, Austin, TX) is a graduate of the School of the Art Institute of Chicago (BFA, 2015) and the University of California Los Angeles (MFA, 2025) and has recently exhibited at Art/Space 114 (Los Angeles, 2026), KITA Gallery (Los Angeles, 2025), and Murmurs (Los Angeles, 2023).

Visit Jory’s instagram here.